Orchestral Works (Chronological)
Contact for perusal scores
Catherine’s Stigmata – 2(II=picc).2.2.2 – 4.2.3.1 – timp.perc(1) – str. 9 mins. Written Aug 2025-.
Traces in a Shallow Pool – 1(=picc).1.1.1 – 1.1.1.0 – perc(2) – hp.pf. – str. 9 mins. Written June-Dec 2024. Public reading Jan 17, 2025, Herbst Theatre, San Francisco, CA – San Francisco Contemporary Music Players.
If There’s Time – 2.2.2.2 – 3.2.1.1 – perc(2) – hp. – str. 2 mins. Orchestrated Nov 2024. Read Dec 3, 2024, Vanderhoef Studio, Mondavi Center, Davis, CA – UCD Symphony Orchestra, Matilda Hofman, cond.
In Vigil I Stood* – 2(II=picc).2(II=corA).2(II=bcl).2 – 4.3.3.1 – timp.perc(2) – hp. – str. 11 mins. Written 2022-2024, performed July 13, 2024, Bulgaria Hall, Sofia, Bulgaria – Sofia Philharmonic Orchestra, Tyler Austin, cond. [Performance Video]
What Passes Through – 2(II=picc).2.2.2(II=cbsn.) – 4.2.3.1 – timp.perc(3) – hp. – str. 6.5 mins. Written June 2023, read July 2023 by Brevard Music Center Orchestra. Ken Lam, cond.
Judith Beheading Holofernes – 2(II=picc).2(II=corA).2(II=bcl).2 – 4.2.3.1 – timp.perc(2) – pf. – str. 6.5 mins. Written June-July 2021, read July 31, 2021 by Brevard Music Center Orchestra. Ken Lam, cond. Revised August-September 2021.
Madrigal: Paraphrase on the Sagittation of Saint Sebastian – strings. 5 mins. Written January-March 2021, read by UNC Symphony Orchestra May 5, 2021. Tonu Kalam, cond.
( * = performed)